It was bad enough that Papa Bergoglio would agree to meet with the Board of Directors of a pro-abortion NGO at the Vatican. The setting for the official photograph, however, takes this meeting to another level.
The Conrad N. Hilton Foundation is the largest funder of Catholic religious sisters around, has sent millions of dollars towards the formation and good works of Catholic sisters over the years. It also assists refugees, the poor and provides access to safe water – ostensibly one of its seven main goals. The Foundation also has an association with National Catholic Reporter which, due to its heterodox content, even US Bishops have claimed is ‘not really Catholic’.
That’s all well and good but the Hilton Foundation is also very pro-abortion. Among the many organisations the Foundation has helped financially are those dedicated to ‘reproductive health’ aka abortion and contraception, including the ‘California Latinas for Reproductive Justice.’ [see more here.]
Pope Francis met with the Board of the Hilton Foundation on January 22 of this year. He of course told them how wonderful their work was, giving them some gems like “Compassion is not throwing money into the hands of another without looking them in the eyes.“ Right. Be like McCarrick who looked the Popes right in the eyes as he threw them bucketloads of money.
What really caught my eye was the strange artwork hanging in the background of the official photograph of the occasion, which was circulated by the Vatican’s press office. Although not as aesthetically offensive as other artwork favoured by the Curia (thinking here of Rupnik and Jago) this one certainly is strange when you take a close look at it. And the fact that it was chosen as the backdrop to the photograph of Francis taken with abortion advocates and feminist nuns like Nathalie Berquart makes it even more stunning.
“Abbraccio Cosmico” (Cosmic Embrace) is a tapestry created by by Camilian Demetrescu. Demetrescu was a Freemason-turned-Moslem who associated with Modernists, nihilists and Theosophists. His tapestry was installed in 2008, during the pontificate of Benedict XVI.
Describing his work, Demetrescu claims that:
This tapestry has been made in Italy (Gallese) after the september 11th 2001 : the cosmic love (abbraccio cosmico) is the only response to such a tragedy. Two angels are moving the universe around the planets’ hug.
What he doesn’t explain is that this design is all about astrology, including cosmic portals and ‘as above, so below’ imagery as well as the fake New Age ‘angels’.
Below is one interpretation of the image that came from an occultist – not from the artist himself. [NOTE: This information came from a website called ‘Keys to Ascension’. I really don’t like linking directly to occult websites.]
The translation means “Cosmic Embrace.” The center of this painting is a man and woman1 in a tender embrace. This represents the Sacred Union of the Divine Feminine and Divine Masculine. Uniting the Heart and the Mind through Divine Cosmic Love – Christ Love!
Facing the picture, the Blue Angel on the left represents the Feminine/Universe/ Spirit. The Brown Angel on the right represents Masculine/Earth/Physicality. The Angels wings are pointing up and down. They are each holding a handle. One up – one down. As Above – So Below. The handles are connected to a shaft of Light that runs through the heart center of the Divine Cosmic Embrace. The EnLightened Ones are guiding the transition.
Notice also that the handle held by the Earth Angel is attached to a spiral – a Cosmic Portal. The handle held by the Cosmic Angel is attached to a symbol of the Cardinal Grand Cross2. Earth/Humanity goes through the Cosmic Portal to connect to the heart of Divine Source/Divine Unconditional Love – the Cosmic Embrace. The Cosmic Alignment funnels Light through Divine Source/Divine Unconditional Love to elevate Earth.
The Cosmic Portal envelopes the planets and humanity in a Divine embrace of Christ Consciousness. This is the birth of the New Age of EnLightenment!
Ecclesiastical Freemasonry 