On July 9th, Pope Leo offered his first Mass “for the Care of Creation”. The Mass contained many clues that show his agenda is no different from the human-centred goal of his predecessor, Pope Francis. Significantly, the press conference announcing the Mass featured Cardinal Michael Czerny, the man who promotes the Integral Ecology of Liberation Theologian, Leonardo Boff and Archbishop Francesco Viola, the man who wears Annibale Bugnini’s ring.

Firstly, I’d like to present an alternative view to mine, that is, a traditional Catholic’s interpretation of this Mass as being entirely orthodox and in line with the correct Catholic approach to creation. It seems solid, ending with the comment: “The keystone of the entire homily lies in the final sentence: ‘Only a contemplative gaze can change our relationship with created things’,” then providing a thoughtful explanation of what this means for faithful Catholics.

The only problem is, Pope Leo’s ‘contemplative gaze’ quote is taken from Laudato Si – that is, straight from the mouth of Papa Bergoglio. When one reads the entire sermon, it becomes obvious that Pope Leo is not, in fact, as the author suggests, referencing the traditional teaching on creation. Rather, he is continuing Francis’ mission which is none other than that of the subversive forces who gave us the Pact of the Catacombs. Clues such as ‘cry of the earth and cry of the poor’ abound, as do multiple references to Pope Francis and his pantheistic encyclical, Laudato Si. (For a complete analysis, see this article at Novus Ordo Watch.)

Apart from the obvious display of devotion to Pope Francis, there may be even more to this Mass than first appears. For this, it must be viewed through the lens of occult symbolism and so some speculation is in order.

Borgo Laudato Si Gardens

The Mass for Creation took place at the Borgo Laudato Si (The “Praised be” Village) – the immense gardens of the Pope’s holiday residence, Castel Gandolfo. Pope Francis had this turned into a tourist attraction, meant to provide some income for the cash-strapped Vatican whilst educating the public about ‘integral ecology’ (worshipping the environment). Remember, this is the vision that would have us believe that “justice and peace will only dwell on the Earth” when everyone has access to clean water.

The gardens made the perfect setting for a pagan ritual: that is, outdoors, in a grove. Groves were condemned by God throughout the Old Testament for their relationship to paganism and the prophets were often instructed to destroy these places where adulterous Israelites would gather to worship false gods.

Groves and the Divine Feminine

Is the statue behind the altar Our Lady? It’s certainly possible and at least she is dressed more modestly than Papa Bergoglio’s false Mary, undoer of knots. But in the current context, I’d like to explore another possibility: that this female figure represents a pagan goddess: Pachamama or perhaps Isis.

The Hebrew word for ‘grove’ is ‘Asherah’ which can also mean a sacred tree or wooden pole or totem which was worshipped as an idol. The name ‘Asherah’ (or ‘Ašratu’ in Akkadian), can also denote the pagan goddess of groves who was worshipped by the Phoenicians, the Akkaddians, the Hittites, and the Canaanites. Ashrerah was considered to be the ‘Queen of Heaven’ and is sometimes identified with the ‘Divine Feminine’.

The Queen of Heaven archetype appears often in pagan belief systems. For example, in Egyptian mythology the Queen of Heaven was Isis, the sister-wife of Osiris, sometimes known as the ‘World Virgin’. Isis is the personification of Nature and like other types of this goddess is associated with fertility.

As a mother-goddess who was and is blasphemously believed by some to be the consort of God, Asherah can be equated with the Pachamama of South America. Pachamama, as we know, is identified with Mother Earth and with the Divine Feminine. A common offering to Pachamama is the gift of flowers, especially yellow ones, and these can be seen on the altar at the Pope’s Mass of Creation – in violation of the GIRM (General Instruction on the Roman Missal).

Asherah/Isis was goddess of motherhood, and wisdom and as such may also be identified with ‘Sophia’ – the personification of wisdom. In Gnosticism, Sophia plays a fundament role, as she is an aspect of god and an agent of chaos and confusion which can only be countered by the ‘gnosis’ of ‘Jesus Christ’ which humans require to escape the physical world and return to the spiritual one.

To see a statue of a woman placed prominently behind the altar during the outdoor Mass of Creation, hands crossed over her chest in the gesture of Osiris and surmounted by a triangle (an important occult/Masonic symbol ) makes one wonder if this is not meant to represent Our Lady, but rather the anti-Mary World Virgin who is known as Ashrerah, Isis, Sophia or Pachamama.

Wisdom Between Two Pillars

The placement of the figure of Isis/Pachamama between two pillars provides further material for discussion as this is a specific arrangement in the occult with its own meaning:

The World Virgin is sometimes shown standing between two great pillars–the Jachin and Boaz of Freemasonry–symbolizing the fact that Nature attains productivity by means of polarity. As wisdom personified, Isis stands between the pillars of opposites, demonstrating that understanding is always found at the point of equilibrium and that truth is often crucified between the two thieves of apparent contradiction.

Manly P. Hall, The Secret Teachings of all Ages

Another interpretation of the setting of a female icon of Wisdom between two pillars comes from the Tarot. In this system, the woman is associated with the mythical ‘Pope Joan’ – a false female Pope! Surely, that’s not the message being conveyed here!?!

Opposing Forces

As has been repeated often among these pages, the Great Work of the occultist is to access gnosis in order to reconcile opposing forces. The placement of the female goddess figure between the two pillars echoes that principle. It is repeated in the elegant reflective pool which appears in front of the altar, a perfect embodiment of the principle of ‘as above, so below‘.

The occult pectoral cross

For the occasion of the Mass of Creation, Pope Leo wore a pectoral cross decorated with an image of the Good Shepherd. While this appears at first to be the same cross was worn by the infamous Cardinal Bernadin (see article here) on closer inspection, this doesn’t seem to be the case. A separate article studies these crosses and may be found here.

Despite any differences in the crosses, it’s worth noting for our purposes that in the original version of this cross – the one worn by Cardinal Bernadin and Pope Francis – the ‘Good Shepherd’ was modelled on the Egyptian god, Osiris and that as mentioned above, the wife of Osiris was the goddess, Isis.

Conclusion

Rather than merely hijacking the Holy Sacrifice of the Mass to promote the prevailing, disordered, emphasis on the environment, there were enough red flags here to indicate an occult ritual took place under the guise of, or in conjunction with, the liturgy.

Although we may never know the truth, it is educational to decode the hierarchy’s clues which were hiding in plain site in what at first appears to be a tranquil and thoroughly Catholic scene.

To see Mass offered outdoors in a lush grove, near twin pillars that are surmounted by a triangle, close to a reflective pool with all being overseen by the divine feminine should fill us with horror, rather than delight. It is yet another sign of the new papacy’s agenda: to present Modernism with a smile and to lure Catholics into nature worship using the tantalising bait of aesthetics.

An associate of Father Isaac Mary Relyea, made an interesting point on their Youtube channel : he said the name, Mass for the “Care of Creation” immediately reminded him of the “Cremation of Care” ritual performed at Bohemian Grove. Hmmm. Another ritual in an infamous grove. That certainly is food for thought.

This article has been updated.

SOURCES: This site (non-Catholic); Sophia (Wikimedia); The Secret Teachings of All Ages by Manly P. Hall. (affiliate link.)