An alphabetical list, many with short bios, of the major identities relevant to the Church during the 20th century and beyond. This list will be updated regularly as more information comes to hand.
Author: Kathy Clubb
Kathy Clubb is a mother and writer whose articles have appeared at The Remnant, LifeSiteNews, Family Life International, Pax Orbis and Endeavour Forum. She is the author of "Latina Rosarii, the Latin Primer for the Reluctant". Her book, "An Unjust Law" is due for release in 2026.
A Rosicrucian Calling-Card on Pell’s Coffin?
The very first time I laid eyes on the photograph shown below, which was almost eighteen months ago now, the single rose so carefully placed near the gold cross struck me as being odd. More than odd – it looked like the signature of someone who wanted to publicise his work. A message which might say that, “We were responsible, we had our way with Cardinal Pell.”
Such a signature in the form of a rose and cross could only mean one thing: Rosicrucians, members of that esoteric offshoot of Freemasonry known for its strange mix of Catholicism, magic and secret knowledge.
Cardinal Pell’s mortal remains lying in state at the Santo Stefano degli Abissini, just a stone’s throw from the Pope’s home.
Now of course, that rose might have been placed there by a friend, or a family member, or by some unknown cleaning lady for whom Pell always had a kind word. Which is precisely why I didn’t draw attention to it before now.
However, now that we know that Pell’s body was desecrated ( see video below if this is new to you) and now that the suggestion of murder is being unselfconsciously thrown around, I thought this might be a good time to bring it up.
The coffin seems to have been produced by this company: SCACF, as indicated by the letters in the bottom right hand corner. According to its website, this competent-looking company supplies coffins to more than 2000 funeral homes throughout the world. Presumably the funeral home that prepared the body and ordered the coffin were equally competent.
However, judging by the photograph above, (as found at the Catholic Weekly) whoever filled the screw holes on the coffin’s lid did a fairly poor job. It rather lets down the quality of the thing. Not a very professional look for the funeral home, is it?
This leads us to ponder: is it possible that the coffin left the funeral home with the body prepared to the normal high standards and with the screw-holes filled in an unobtrusive manner, and that the Cardinal’s body was desecrated after that, with the holes refilled by his unholy desecrators?
We know that it happened after the autopsy. Perhaps it took place after the all the preparation procedures had been finished, away from the prying eyes of good and faithful artisans – perhaps in the church itself?
For this church is very close to Casa Santa Marta, the home of Pope Bergoglio and his assortment of highly unsavoury sodomites – some of whom are without doubt, Rosicrucians.
For a further analysis, please see my Theory about the Desecration of Pell’s Body.
More Evidence of a Vatican S** Cult?
At this point, if anyone thinks it is hyperbole to suggest that there exists a group of prelates who are involved in ritual s** abuse or at the very least, who are addicted to deviant s**, then they are beyond convincing. The evidence seems quite overwhelming.
This is not only because of the notorious abuser, Rupnik, and his uncanny knack for escaping punishment despite so many credible accusations. Nor is it because of Tucho Fernandez and the disgusting books he wrote before landing the top job at the DDF.
Marko Rupnik pictured with Archbishop Mark Coleridge at Our Lady of the Southern Cross in Springfield, Queensland, Australia. Rupnik is notoriously protected by Rome while his abhorrent works of art continue to disgrace many a church around the world, including here in Australia.
No, the idea of a formal group of deviant bishops, priests and even cardinals who are engaged in occult rituals, often involving s**, was suggested over a century ago when it became known that Cardinal Rampolla was a Mason. Not only that, but he was known to be involved with the OTO, a group for which ritual s** is its bread and butter. Since then, strange tales and mysterious events suggesting the existence of such a group within the Curia have popped up from time to time.
From “Windswept House“, and its shocking account of simultaneous Black Masses performed by high-ranking Catholic priests, to the disappearance of young girls within the Vatican walls, to the gay orgies and general air of sodomy prevalent among the hierarchy, there is no doubt that sinister forces have infiltrated the Curia’s ranks or that they are using the dark arts to further the reign of Satan. Even Fr. Gabriel Amorth – an exorcist but no great traditionalist – confirmed that Satanic Black Masses are in fact being held in the Vatican. And wherever one finds Black Masses, one finds deviant, ritual s**.
These men even arranged for children to be entertained by a drag queen at “world Children Day”!
The latest discovery which lends further credence to the existence of a s** cult in the Vatican comes from the highly informative blog, Pope Head. I have been following this Substack account for a while now, and have found it to be a good source for information relating to Masonry, especially its signs and symbols.
This recent article refers to one written at Pope Head some time ago; the original was a long post about an artist named Jago, who had created a sculpture of the late Pope Emeritus Benedict XVI. (Incidentally, I also wrote about it here.) Pope Head gave quite an examination of the artist in question, and found other works of his which are even more disturbing than his bust of the Pope: works with a theme of child s** abuse.
Before and after pictures of Jago’s sculpture, which is clearly meant as a message – an insult to Benedict or the mocking triumph after a stolen Conclave. The right-hand version, made after Benedict’s abdication, retains the Papal ring and most bizarrely, has been given a set of eyes, which were conspicuously missing from the original.
His latest article, though, asks a pertinent question: who exactly was it that commissioned the sculpture of Benedict XVI? (And the answer may well be given in the PAID section of the Pope Head blog.) It is known that someone in the Vatican commissioned it and, according to the Pope Head thesis, it looks suspiciously like that person or persons unknown had in mind Benedict’s resignation when the sculpture was first created.
Four years prior to Benedict announcing it to the world.
Two names are then mentioned by Pope Head: Cardinals Ravasi and Bertone. They jointly gave Jago an award for his original bust in 2009, so are obviously great fans of his work. (Pope Benedict himself did not care for it.)
Ravasi, as the reader may recall, is known for his “Letter to Brother Masons” reproduced here.
Bertone was once Secretary of State and was said to have been close to Benedict.
Pope Head suggests he is a Freemason (Well, he DOES have a collection of black and white scarves) who helped Bergoglio gain power and who may have been responsible for Vigano’s “sideways promotion” away from the Vatican Bank. Indeed, Bertone is singled out for blame in Archbishop Vigono’s latest missive on his accusation of schism.
Bertone was also accused of helping himself to large amounts of Vatican funds and, according to Pope Head, is all round, a “terrifying” figure.
Not only that, he actually met Sr. Lucia of Fatima on three occasions, then went on to – how shall we put it – slightly change the Third Secret, something none of us would want on their conscience at our particular judgement.
One of Jago’s earlier pieces, said to be his own hand. Erm, does that look like a BITE MARK on the index finger?
Could Ravasi and Bertone have been the ones to commission Jago’s bust of Pope Benedict AND were they responsible for forcing Benedict’s resignation?
If not they, then what Vatican official chose an artist who (at least later on) is so obsessed by the r**ing of children that he sculpts artwork using that theme? Even Jago’s relatively normal works contain some abnormal element. (See his hand, above.) The man is simply not balanced.
But then, “balanced” is not not a word that could be used to describe the Curia under the Bergoglio pontificate. Rather, it is regime marked by sexual perversion, narcissism and diabolical disorientation.
And, incidentally, those are all the ingredients necessary for a thriving culture of ritual coupling.
Bugnini’s Ring of Power
How surprising it is to think that the episcopal ring which once graced the finger of the arch-fiend Annibale Bugnini has become a treasured relic amongst the post-conciliar wreckovators.
The ring first fell into the possession of Bishop Luca Brandolini, a protege of the late Archbishop Annibale Bugnini. Bugnini was of course the treacherous architect of the new Mass. Brandolini, always a sensitive chap, revealed his jewellery fetish in 2007, after Pope Benedict XVI released Summorum Pontificum, the motu proprio which allowed for a wider use of the traditional Mass. At the time, Brandolini tearfully said,
“The episcopal ring which I carry on my finger belonged to archbishop Annibale Bugnini, the father of the Conciliar liturgical reform. I was, at the time of the Council, a disciple of his and a close co-worker. I was close to him when he worked in that reform and I always recall with how much passion he worked for liturgical renewal. Now, his work has been canceled.”
(Brandolini is on the right. I can’t quite make out the ring – can you? Let me know if anyone out there can find a close-up of the ring somewhere.)
Back in 1993, Brandolini had ordained a young man named Vittorio Viola to the priesthood; Viola was made a Bishop in 2014.
Seven years later, our Viola scored a top job when the Congregation for Divine Worship and the Discipline of the Sacraments was overhauled by Pope Francis. The saintly Cardinal Sarah was given the flick, the TLM-hating Arthur Roche was put in Sarah’s place and the new-look Dicastery for Divine Worship was born. Secretary of the new outfit was Bishop Viola.
Viola has been in the news in recent days for it was he who signed the dastardly decree shutting down a well-loved Latin Mass at the Cathedral in Melbourne. And it is Viola who now wears Bugnini’s ring!
I think we can safely say that Brandolini did not cut a finger from Bugnini’s cold hand in order to gain the precious ring. Far more likely is the hypothesis that Bugnini bequeathed it to his protege as a kind of torch which would illuminate the way along the next phase of the Latin Mass’ destruction. In a similar way, Brandolini, who is aged but apparently still living, must have passed on the ring to Viola to keep the flame alive. What a rotten legacy that is. A ring that is surely worthy of being flung into the Cracks of Doom.
Masonic-flavoured honours for the Pope
From Aldo Maria Valli at the website, duc in Altum
(and run through Google Translate). Please do visit Valli’s excellent site for the inside story on all things Romanita.
“Thank you for such a warm welcome. And see you at the Jubilee, see you all there!”. The Pope thus took his leave, off the cuff, from the Capitoline Hill, where a plaque was placed in memory of his visit, the second after that of 26 March 2019. Then looking outside, Francis greeted with words slightly different from those usual. He said “and don’t forget to pray for me”, but immediately added: “For sure!”. Evidently he too knows well that certain prayers, especially among those raised by the Vatican and surrounding areas, are not exactly motivated by the desire that he can enjoy a long happy life.
In his speech [ here ], Francis, speaking about slavery, warned against “the fact that also occurs in our days, when, almost unconsciously, we sometimes risk being selective and partial in the defense of human dignity, marginalizing or discarding some categories of people who end up finding themselves without adequate protection”.
Coming from Bergoglio, who behaves like a tyrant, punishing and marginalizing left and right, making a mockery of the law, they sound like mocking words. But perhaps that is precisely why he asked to pray for him. Because he begins to feel the weight of the not exactly benevolent prayers of all those who have fallen under the blows of his mercy.
The text of the plaque placed in memory of today’s visit is significant: “To His Holiness Francis, successor of Peter and bishop of Rome, promoter of care of the common home and witness of universal brotherhood”. A tribute that could be perfect for any Freemason.
The ‘Smiling Pope’ and the Freemason
this article came from Tradition in action
Recently it was brought to light on the Internet that Pope John Paul I, Albino Luciano, found a way to praise the Satanist Giosue Carducci, who was one of the leading exponents of Italian Satanism and of the Italian Risorgimento, the Masonic movement that took over the Pontifical Territories in Italy and the papal properties in Rome.
Carducci’s most famous work is his Hymn to Satan or Ode to Satan, composed at a time when Freemasonry could tell the truth about its religious beliefs and its hatred against God and the Catholic Church.
Below, we show photocopies:
First of the Angelus of September 17, 1978, in which John Paul I praised Carducci as a model for university professors. The Italian text (Vatican webpage) referring to this is underlined in green;
Second, the text of the same document translated to English by a website built to honor John Paul I. The corresponding part is also underlined in green;
Third, is a photo of Carducci along with one of his books which includes his Hymn to Satan.
Fourth, the entire Hymn to Satan both in Italian and English can be read in our files here, taken from the Church of Satan in the United States.
We credit this scoop to the blog Call Me Jorge, where we first read it.
Ecclesiastical Freemasonry 
