Tag: Culture

This French Mystic predicted the Adrenochrome trade

Published on by Kathy ClubbLeave a comment

Blessed Marie-Julie Jahenny is well-known for her prophecies about the rise of a false Church and the Three Days’ Darkness, but a newly-released book on Marian prophecies includes rare predictions from the mystic which include references to cannibalism and the adrenochrome trade.

Adrenochrome, for those who aren’t aware, is the highly-prized nectar of the ‘elites’; a chemical harvested from the pineal gland of innocent children who have been deliberately terrified in order to increase its potency. It became mainstream after being mentioned by Johnny Depp’s character in the film, Fear and Loathing in Las Vegas. As this article mentions, though, it was referenced by Aldous Huxley, William Blake and others long before the advent of Hollywood.

Marie-Julie also had some inspirations about other aspects of our civilisation’s decline, as if to confirm the abysmal state of this evil generation. She foresaw a totalitarian society complete with surveillance and detention, as well as a return to the use of the guillotine – that highly-favoured implement of French revolutionaries:

The strong political party will be the one of evil’s victory … the small number will fall under the thunder of these voices who call for the blood and the flesh of bodies to “stretch their instruments” as they say. The Christian judges will be replaced in every part of France. The people will have to submit to surveillers or being sent to prison and finish one’s life under cutting weapons.

(Julie-Marie Jahenny, Jan 1882)

The guillotine was developed during the French Revolution, & its results featured chillingly in the Olympics Opening Ceremony.
SOURCE Museum of the French Revolution, CC BY-SA 4.0 https://creativecommons.org/licenses/by-sa/4.0, via Wikimedia Commons

I have no idea about what “stretching their instruments” refers to, but when searching, I came across a technique used in genetic experimentation known as “stretching”. Whether or not this is related to the prophecy, there is no doubt that many of the chastisements seen by Marie-Julie Jahenny stem from the world’s obsession with Scientism and that realm’s fascination with cells stolen from aborted babies. Another quote:

…today it [the world] makes a hellish trade, the likes of which the world has never seen before … All is delivered up, everything is sold and new plots are being hatched every day. The hunger to devour human flesh, the thirst for human blood makes all their bodies seethe with unrest, and consumed with a desire to reach their goal as soon as possible.

(Julie-Marie Jahenny, Nov 1924)

So what is this “hellish trade” to which Julie-Marie was referring? Sex-trafficking? Abortion? Organ harvesting on an industrial scale such as goes on in China? She seems to be alluding to something more evil even than these.

Julie-Marie spoke of the “devouring” of human flesh and of the drinking of human blood. This is obviously cannibalism, vampirism and addiction to adrenochrome.

Nothing is more ‘hellish’ than knowing there are powerful adults who misuse innocent children for their own pleasure and profit.

These activities point to a civilisation on the brink of extinction; Hilaire Belloc, for one, believed cannibalism was the sign of a civilisation about to be annihilated. That certainly sounds like our Western culture and when the New York Times starts running articles about cannibalism, it is obvious that perversion has gone mainstream.

But we knew that, didn’t we? The Opening Ceremony of the Paris Olympics summed up the world’s obsession with perversion very succinctly. It has even been said, very insightfully, that it was the ‘Closing Ceremony of Western civilization.’

And here is something really bizarre: the article above tells of an episode of the TV drama, Lewis in which devotees of the false god, Dionysus were taking adrenochrome. Dionysus, of course, was represented by the ‘blue man’ of the Paris Olympics Opening Ceremony.

Whether you believe that adrenochrome is a real substance harvested by elites from terrified children, or whether you think it is Q-Anon bunkum, one thing is for sure: God can’t be too happy with the current state of things on earth. The transexualism, perversion, abortion, organ harvesting and violence predicted by Blessed Marie-Julie Jahenny a hundred years ago have all come to pass.

And if that isn’t worthy of divine intervention, then nothing is.

NOTE: this article was updated August 7th, 2024.

IMAGE CREDITS: Eduardo Hidalgo Downing, CC BY-SA 4.0 https://creativecommons.org/licenses/by-sa/4.0, via Wikimedia Commons; https://upload.wikimedia.org/wikipedia/commons/d/d6/Maria_Julia_Jahenny.gif

When a Shrine to Lucifer appeared in a Brisbane Cathedral

Published on by Kathy ClubbLeave a comment

Although some us have only recently come to see the influence of the occult underlying the Church’s most serious problems, there are others who saw the dangers years ago and tried to alert fellow Catholics to the danger. One of those faithful pioneers was Tim Pemble-Smith. Through his publication, News From the Pews, he and his colleagues set out to expose Freemasonry and other occult forces with the Archdiocese of Brisbane, in Queensland, Australia.

The following is from Issue 24 of News from the Pews, dated 28 April, 2000. It explains the occult meanings behind an art installation which was once placed inside a chapel at St. Stephen’s Cathedral in Brisbane. At the time, the chapel was dedicated to “The Human Search for God”, but has since been redesigned and dedicated to St. Mary McKillop.

After much public outcry, and largely due to pressure from Mr. Pemble-Smith and his colleagues, the installation was removed. Strangely, no records of this artwork exist online, neither from the indigenous artist, Fiona Foley nor the Cathedral. For copyright reasons, this article contains no photographs from the shrine.

Article begins:

‘Devil’ Shrine in St. Stephen’s

Over the past two years, this newsletter has exposed many hidden demonic messages contained in The Human Search for God shrine in St. Stephen’s Cathedral. Yet, the shrine has not been closed down and requests for an enquiry have been ignored….The Church admits that the shrine contains “systems of meaning”, but neither the artist nor the Church has explained those meanings. In this issue, we re-examine the artwork and see how it corresponds with the writings of the ‘devil-worshipper’ Aleister Crowley.

Influence of Crowley

Although he died in 1947, Aleister Crowley was the most influential occultist of the twentieth century. He was a self-proclaimed devil worshipper and sex and drug fiend. His book, 777 and Other Qabalist Writings of Aleister Crowley, sets out a system of elaborate codes to disguise the meanings of references to the occult. For example, the use of numbers is prevalent in much the same way as a codebook shows the disguised meaning of a message. Crowley created his own cult to worship the devil and wrote books setting out the way to practice his religion. Today there are many believers who follow his methods.

Artwork in Shrine

To a person unfamiliar with Crowley’s methods, the artwork presents a series of abstract images. There are seven panels of artwork in all, with four, square, central panels. The panels are all dark. You see a blood moon, a dog, a black luminous disc, and dark blue moon, leaves, pipi shells, fish etc. Certain images are repeated. Perhaps the first thing you notice is panel 1.

The dog in panel 1 stands out. Crowley used the dog as a reference to the Christian God. In Crowley’s system, “dog” is simply “God” spelled backwards. Crowley revelled in the use of wordplay, ie, a play on words. It should be noted that in the Courier-Mail (newspaper) article, Ms Foley is reported to have admitted to using reverse spelling in her art.

A Crowley follower who is familiar with Ms Foley’s other art, will recognise the dog in Panel 1 as the one in Ms Foley’s other work, “The Three-legged dog day.” They would also notice the 7 stars in the left corner in the pattern of a crescent. Cycles of the moon are commonly references to witchcraft. It is a classic Crowleyan reference. As Crowley said, “The best blood is of the moon monthly: then the fresh blood of a child…”

Multiple uses of Images and Shapes

A follower of Crowley will also be looking in the shrine for any repeated images or shapes. Multiple uses of images or shapes could point to Crowley’s codes. The Crowley follower would quickly note the central group of 4 square panels arranged into a larger square – panels 3, 4, 5, & 6.

Functions of Four: Alchemy

The Crowley fan knows that any ‘functions of 4’ are likely to point to alchemy, the ‘black art’ of attaining spiritual union with the devil. In the shrine there are many: the 4, square, central panels arranged to form a larger square, the 4 fish swimming, a group of 4 shells, a 4-part skeletal fish image.

The Crowley follower will know that if these panels relate to alchemy, the four central panels should represent the four elements of alchemy – earth, air, fire and water.

It is clear that panel 4 represents the red earth and that panel 5 represents water. The circular, black disk in panel 3 has a distinctive luminescent quality. It does not reflect light as the moon does, it’s black light comes from within. The Crowley fan will recognise this as Crowley’s vision of a ‘black sun’ – a reference to the abyss (hell) and to the dark angel of the abyss, Lucifer – the light bringer. Panel 3 is the fire panel.

Panel 6 presents the blue moon in the night air. This is the air panel. Air and earth panels are thus, as required, located diagonally opposite each other, as are fire and water. So the four square panels represent the four elements of alchemy, in a way, which – via the black sun – can be referenced to Crowley, the ‘abyss’ and to Lucifer.

Further, panels 3 and 6 present the sun and the moon opposite each other, “in balance”: symbolic of alchemy, as Crowley says.

Fish: Alchemy

Ms Foley presents four fish swimming in panel 5. The number 4 here is symbolic of alchemy. In 777 Crowley also links fish to alchemy. The fish are presented swimming in iridescent water. In 777, Crowley connects iridescence of water and alchemy.

Shells & Leaves

In Crowley’s system, the number ‘777’ itself represents his “world of the shells”, “demon-world” or “abode of the evil spirits” which are called the “shells”. Note that there are 17 shells in panel 4 and 4 more (4: alchemy again) in panel 5 – in total, 21 shells. 21 shells is a way of presenting 7, 7, 7 shells – a reference to Crowley’s codebook 777.

Ms Foley also presents five ‘V’ or heart-shaped, yellow brown leaf images, 3 in panel 4 and 2 more immediately above in panel 3. Reading downwards, this is ‘VVVVV’, Crowley’s signature contraction of the Latin used in reference to himself as ‘Master of the Temple.’ In Crowley’s system, the number 5 corresponds with the heart. Five is also Crowley’s number for sulphur, the yellow brown substance said to be used in alchemy. Crowley linked yellow brown with the ‘earth nature’ of his imaginary ‘camel’, which he says is the ‘means of travelling through the wilderness of the abyss’. As to the heart, Crowley states in 777 in reference to the invocation of his ‘Holy Guardian Angel’ (the devil) that “the human heart is the foundation of the work”.

Foley’s combination of 3 leaves and 17 shells in panel 4 (Remember there were exactly 17 shells in panel 4, for yet another reason; it was not simply coincidence) and 2 leaves in panel 3 immediately above is also significant. In 777, Crowley uses the numbers 2, 3 and 17 to derive a reference to the ‘Angel of Venus’, who is Lucifer.

Is it a shrine to the devil?

This otherwise unexplained shrine speaks for itself. The images and codes it contains correspond all too perfectly with Aleister Crowley’s writings. The parallels are too many and detailed to be mere coincidence. So, is it likely that the reluctant-to-comment Foley “Had never even heard of Crowley”?

HutheMeow, CC BY-SA 4.0 https://creativecommons.org/licenses/by-sa/4.0, via Wikimedia Commons

Wikicommons, author unknown: Aleister Crowley in the garments of the Ordo Templi orientis (OTO)

Olympic Blasphemy on Martyr Priest’s Anniversary

Published on by Kathy Clubb2 Comments

By now, almost the entire world knows of France’s most recent national shame: the Olympic Opening ceremony. It lauded vice and intentionally insulted Catholics under the guise of being the “creme de la creme” of modern culture. Although somewhat sour to our tastes, transvestites, gluttonous lesbians, pagans and hedonists mocked Scripture and even the person of Jesus Christ.

The event also derided Marie Antoinette, the Catholic Queen of France who was beheaded at the height of the French Revolution. The inclusion of Marie Antoinette is an interesting one, as the Opening Ceremony was held on July 26th, which is the anniversary of the violent murder of a French Catholic priest. In 2016, the elderly Fr. Jacques Hamel was killed while offering Mass in his small parish in northern France. The perpetrators were two 19 year-old members of the Islamic State to whom Fr. Hamel cried, “Begone, Satan!” before having his throat slit.

A blasphemous parody of the Last Supper, featuring sexual deviants in place of the holy Apostles.

As if that wasn’t enough, the Ceremony, televised across the world to families with little children, included a segment featuring a threesome, reminding viewers that it was France who legitimised these groupings under the term ménage à trois. [Don’t forget it was also the French who immortalised prophylactic contraception under the title French Letters. The Olympic Committee distributed 200,000 of these to competitors as the Games began.]

Screenshot from the pre-recorded ‘threesome’ segment

Much of the pageantry was centred around death and destruction, with bloody displays, a decaying Statue of Liberty and a figure representing an Apocalyptic horseman. Included was strange a segment showing singers “dying suddenly” on a blood-red dance-floor. This apparent reference to the destructive Gene Serum brings to mind the 2012 London Olympics which predicted the pandemic using images of sick children and the Grim Reaper holding something resembling a syringe.

From the 2012 London Olympics ceremony.
From the 2012 London Olympics ceremony.

Now blasphemy is a matter that needs serious reparation. According to Thomas Aquinas, it is worse than murder, even worse than killing a poor old priest during Mass (although if that was intended as an insult to God then it is blasphemy AND murder.)

In France, the SSPX announced that its parishes would pray the penitential Psalm, De Profundis and chant the sorrowful Parce Domine at the conclusion of every Mass on Sunday July 28th. God bless them for that and may many more parishes follow suit.

And the Pope? What did the leader of 2.6 billion Catholics have to say about this disgrace? Well, during his Sunday Angelus address, the Pope did mention the Ceremony – only to condemn the “scandal” of war. [Wars are bad and some athletes are from countries at war, so that’s the connection. Obviously. Talk about drawing a long bow and then failing to hit the bullseye.]

Yet, all is not lost for France, eldest daughter of the Church. While humans were struggling with a sabotaged subway system and torrential rain, God Himself chose to intervene in this highly chaotic situation. During a blackout across the 18th arrondissement, one building remained illuminated. That building? Sacré Coeur basilica.

Yes, lights continued to shine from the Basilica dedicated to the Sacred Heart of Jesus, while a significant section of Paris went dark. Readers should note that the Church traditionally dedicates a whole month to the Sacred Heart. In recent times, that same month, June, has been dedicated by secular authorities to a sin which cries to heaven for vengeance and has become known as PRIDE month.

The gracious Lord, instead of smiting Paris with fire and brimstone, drew attention to Himself in a manner more like the gentle breeze He used to catch the attention of Elijah. A good lesson for we impatient mortal beings.

Q Anon and the Trump Cult

Published on by Kathy ClubbLeave a comment

Online, there have been more than a few comments by Never-Trumpers and conservative “but he’s not really pro-life” Christians voicing their new-found admiration for Trump, who after he was shot rose up like a phoenix, blood streaming across his face, triumphantly shouting “Fight! Fight!” with his clenched fist raised in the air.

Trump’s triumphant Hero Shot

The assassination attempt yielded the Hero Shot par excellence and it appears that this is the moment his Q Anon devotees have been waiting for: tangible evidence that these long years of waiting and cryptic messages have not been a hoax. Now they “know” for sure that they have not been misled or manipulated, that it must all be true: the White Hats, the ‘Dumbs”, the SRA. All of it.

However factual the heinous activities of the Deep State might be, though – and there is certainly plenty of evidence – the whole concept of an anonymous commentator ‘dropping’ mysterious clues for Trumpian insiders is very troubling. For the idea of an ‘insider’ revealing ‘secret knowledge’ to adoring devotees is the very essence of Gnosticism. And if Trump has a cult-like following, then the name of that cult really is Gnosticism.

His Q-Anon cult thrives on the promise of secret knowledge: the messages, and Trump’s tweets and speeches are treated as codes and are said to full of gematria. Gematria is a cipher which assigns a numerical value to a word or letter of the alphabet. One very famous reference to this can be found in the Bible, where St. John tells us that the number of the Beast of the Apocalypse is six hundred and sixty-six. The importance of dates and numbers, which often are highly significant anyway, becomes elevated in a gematria system.

Gematria is thought to have been first developed by the ancient Greeks and has popped up throughout history in occult circles, with many variations. Magicians throughout the ages have referred to it and gematria is part of the system of Kabbalah. Gematria was once taught to members of the Hermetic Order of the Golden Dawn and Aleister Crowley apparently used it to code his 1904 The Book of the Law.

Ciphers aside, Catholics are not immune from Trump Gnosticism. Already, some are claiming that Trump’s life was saved by the Virgin Mary, a theory suggested by the date of his assassination attempt: July 13. This is one of the “Fatima Days”: the 13th day of each of six consecutive months from May to October which mark the most famous apparitions made by the Mother of God to the children at Fatima.

Eric Sammons of Crisis Magazine, king of the Glad Trads.

Now, don’t misunderstand, I wholeheartedly believe that the apparitions and messages from Fatima are true. What I baulk at is attributing Trump’s “miraculous” escape to the intervention of Our Lady. For if one actor in the Deep State can play at the Psy-op game, then so can two.

Trump’s Q-Anon followers have been “trusting the plan” for years. They have an enormous amount of blind faith in Q’s claims that even as we speak, Trump’s secret militia is liberating children from the bowels of the earth. If a prediction fails spectacularly, as happened with the very first one in 2017 when it was foretold by Q that Hillary Clinton would be arrested, the faith of these hillbilly Gnostics is not shaken. A perceived failure simply becomes subject to a new level of revealed truth: Clinton was actually arrested but was subsequently replaced by a body-double.

And so was Biden … and Pope Francis … and on it goes. Throw in the theory that viruses are a product of the imagination and there you have Q Anon-sense.

Meme from Trump’s account on Truth Social

From the very advent of Q, Trump himself played the game, telling reporters that this was the calm before the storm and with sage-like restraint explaining that all would soon be revealed. Perhaps it was more than coincidence that his recent legal battle was over his relationship with a woman known as “Stormy”.

In 2022, he began referencing Q-Anon in his tweets and on his social media platform, Truth Social. He likes to pepper his rally speeches with insider references, the kind of jokes his only his Q-Anon followers would appreciate.

Screengrab from the Republican National Conference: note the background, Novus Ordo Seclorum or “New World of the Ages” AKA “New World Order.”

In the wake of his assassination attempt, it has been fascinating to watch people falling onto one of two camps: the freedom-loving Trump supporters (roughly aligned with the Republican party) and the evil left-leaners (the Democrats.) Those undecideds in the middle grey area, who once constituted the majority, seem to have all but disappeared.

And maybe that was just the point of the whole exercise.

More Evidence of a Vatican S** Cult?

Published on by Kathy ClubbLeave a comment

At this point, if anyone thinks it is hyperbole to suggest that there exists a group of prelates who are involved in ritual s** abuse or at the very least, who are addicted to deviant s**, then they are beyond convincing. The evidence seems quite overwhelming.

This is not only because of the notorious abuser, Rupnik, and his uncanny knack for escaping punishment despite so many credible accusations. Nor is it because of Tucho Fernandez and the disgusting books he wrote before landing the top job at the DDF.

Marko Rupnik pictured with Archbishop Mark Coleridge at Our Lady of the Southern Cross in Springfield, Queensland, Australia. Rupnik is notoriously protected by Rome while his abhorrent works of art continue to disgrace many a church around the world, including here in Australia.

No, the idea of a formal group of deviant bishops, priests and even cardinals who are engaged in occult rituals, often involving s**, was suggested over a century ago when it became known that Cardinal Rampolla was a Mason. Not only that, but he was known to be involved with the OTO, a group for which ritual s** is its bread and butter. Since then, strange tales and mysterious events suggesting the existence of such a group within the Curia have popped up from time to time.

From “Windswept House“, and its shocking account of simultaneous Black Masses performed by high-ranking Catholic priests, to the disappearance of young girls within the Vatican walls, to the gay orgies and general air of sodomy prevalent among the hierarchy, there is no doubt that sinister forces have infiltrated the Curia’s ranks or that they are using the dark arts to further the reign of Satan. Even Fr. Gabriel Amorth – an exorcist but no great traditionalist – confirmed that Satanic Black Masses are in fact being held in the Vatican. And wherever one finds Black Masses, one finds deviant, ritual s**.

These men even arranged for children to be entertained by a drag queen at “world Children Day”!

The latest discovery which lends further credence to the existence of a s** cult in the Vatican comes from the highly informative blog, Pope Head. I have been following this Substack account for a while now, and have found it to be a good source for information relating to Masonry, especially its signs and symbols.

This recent article refers to one written at Pope Head some time ago; the original was a long post about an artist named Jago, who had created a sculpture of the late Pope Emeritus Benedict XVI. (Incidentally, I also wrote about it here.) Pope Head gave quite an examination of the artist in question, and found other works of his which are even more disturbing than his bust of the Pope: works with a theme of child s** abuse.

Before and after pictures of Jago’s sculpture, which is clearly meant as a message – an insult to Benedict or the mocking triumph after a stolen Conclave. The right-hand version, made after Benedict’s abdication, retains the Papal ring and most bizarrely, has been given a set of eyes, which were conspicuously missing from the original.

His latest article, though, asks a pertinent question: who exactly was it that commissioned the sculpture of Benedict XVI? (And the answer may well be given in the PAID section of the Pope Head blog.) It is known that someone in the Vatican commissioned it and, according to the Pope Head thesis, it looks suspiciously like that person or persons unknown had in mind Benedict’s resignation when the sculpture was first created.

Four years prior to Benedict announcing it to the world.

Two names are then mentioned by Pope Head: Cardinals Ravasi and Bertone. They jointly gave Jago an award for his original bust in 2009, so are obviously great fans of his work. (Pope Benedict himself did not care for it.)

Ravasi, as the reader may recall, is known for his “Letter to Brother Masons” reproduced here.

Bertone was once Secretary of State and was said to have been close to Benedict.

Pope Head suggests he is a Freemason (Well, he DOES have a collection of black and white scarves) who helped Bergoglio gain power and who may have been responsible for Vigano’s “sideways promotion” away from the Vatican Bank. Indeed, Bertone is singled out for blame in Archbishop Vigono’s latest missive on his accusation of schism.

Bertone was also accused of helping himself to large amounts of Vatican funds and, according to Pope Head, is all round, a “terrifying” figure.

Not only that, he actually met Sr. Lucia of Fatima on three occasions, then went on to – how shall we put it – slightly change the Third Secret, something none of us would want on their conscience at our particular judgement.

One of Jago’s earlier pieces, said to be his own hand. Erm, does that look like a BITE MARK on the index finger?

Could Ravasi and Bertone have been the ones to commission Jago’s bust of Pope Benedict AND were they responsible for forcing Benedict’s resignation?

If not they, then what Vatican official chose an artist who (at least later on) is so obsessed by the r**ing of children that he sculpts artwork using that theme? Even Jago’s relatively normal works contain some abnormal element. (See his hand, above.) The man is simply not balanced.

But then, “balanced” is not not a word that could be used to describe the Curia under the Bergoglio pontificate. Rather, it is regime marked by sexual perversion, narcissism and diabolical disorientation.

And, incidentally, those are all the ingredients necessary for a thriving culture of ritual coupling.

Vatican continues to use Rupnik’s art!

Published on by Kathy Clubb2 Comments

Have they no shame?

Evil. That is the only way to describe it. The folks at Vatican News apparently think it appropriate to continue using the art of disgraced sex-abuser-priest, Marko Rupnik, to promote some of the liturgical year’s most sacred days. Is this a not-so-subtle message of business as usual at the Vatican?

That the Age of Aquarius is steaming ahead in Francis’ Rome? How dare they? How DARE THEY?

This artwork is so disorienting, some would say, demonic.

And if you have the stomach for something even more bizarre – here is Rupnik explaining his mosaic about St Pio – only he spends the bulk of the time spouting nonsense about Pope Francis and his similarities with our dear Padre.